Is one of my favourite sculptures, designed by local artist Maggi Hambling dedicated to Benjamin Britten (composer who spent much of his life in Aldeburgh). It stands approx 15 feet high and can be found on the beach just up from Aldeburgh town. I love how the light changes how it looks, how clouds can darken the shadows and the sun can make the surface glimmer. As I stood setting up my camera children scurried and peaked out from under it, couples leaned up to take a selfie against it and families gathered around it.
So this shoot was a bit different!
“What about using a model and snake on a green screen I heard myself saying out loud?” Brain storming ideas with the creative director of a new local company who hasn’t launched it’s product we came up with a plan.
Little did I know the make-up artist had a snake phobia so we had to make sure we kept them separate. I was a little bit worried as being an animal lover I didn’t want the Snake to be stressed in anyway so I set about reading up about keeping snakes warm, the signs of a stressed Snake and probably one of the most important things what to do if the Snake attacks. We had been reassured by the very experienced Snake handlers that ‘Hisss’ would be very docile and relaxed and they would know if she was showing signs of stress and would remover her, even so I thought I better read up just in case!
Being a Boa Constrictor she doesn’t have venom but will have nasty inward angled sharp teeth to grip her prey as she constricts them to death (Cats are so nice in comparison!). I read if a Snake bites you can dip a Q-tip in rubbing alcohol and rub it along the gums of the snakes mouth they cannot stand the taste and will generally let go. Hmmm, the more I read the more concerned I started to be so I stopped reading and focused on planning the shoot.
The shoot went brilliantly, I was wary at first when I asked the handler if she had eaten (the Snake) and he said she hadn’t! “and that’s okay?” I asked. After Matt had explained to me what her eating habits were I could see that ‘Hisss’ was indeed a very chilled out Snake, not that I know but she did seem very relaxed. I was encouraged to hold her, I hesitated at first but so glad I did, she was heavy, cold, smooth and I could hear her hiss which was a little unnerving but apparently all normal. The handlers were brilliant and the model loved Snakes so she was more than happy to have ‘Hisss’ wrap around her body…in a good way of course!
One of my favourite things to do is to go out walking with our cameras using just one lens. A Photographer friend of mine told me years ago that it was a good thing to do, it encourages me to be creative, to get back in touch with a lens I haven’t used for a while and to focus on the subject rather than get hung up on equipment that I have or don’t have on me. Here are a few pics from a walk at Alton Water using my 100mm…
Loading the presets and brushes was pretty straight forward, I thought I knew how to do it but couldn’t quite remember the steps. I was glad that Sleeklens had sent me over very clear instructions on how to load them into Lightroom. The package comes with 70 Presets which include all in one changes to your image, base changes, exposure adjustments, colour correct, tone/tint, polish and one of my faves vignette and 62 brushes include all kinds of handy make-up tools from adding eyeliner to defining hair.
Once I knew the presets and brushes were loaded I chose an image taken outside and a studio shot to see how I could use the Sleeklens Portrait workflow to enhance my images.
I wanted to brighten the image above as it all seemed too dark so in the Presets on the left hand side of Lightroom I applied ‘Exposure-Brighten’ then wanted to warm the image up a little by adding ‘Tone/Tint-Warm-up’ then added ‘Vignette- Black Dreamy’ to bring the attention back to the centre. The Presets are easy to apply you can just click or undo if you don’t like the adjustment you just made you can go back either in the history panel to the left of Lightroom or go to ‘Edit’ top left and click ‘undo’.
I am not sure if it is just my wheel on my mouse but when I clicked on the brush tool I have to use the up and down arrow in the brush window I can’t use the wheel on my mouse to scroll through the brushes which takes a bit of extra time and is more clunky than just scrolling up and down the choices, but I think that might just be my mouse it is quite old after all!
I used the brushes on the right hand side to choose some finer adjustments I wanted to apply, I darkened the dog and and black trousers by using the ‘Darken Shadows’ brush I also added some extra saturation with the ‘High Saturation’ brush to apply on the right of the picture just to bring it a bit more to life. I also wanted to add a bit of a golden glow in the gap in the trees as that looked a bit pale and washed out so I used the ‘Haze-Golden’ brush and just painted circular brush stroked to add some sunny warmth to that gap in the trees.
I also used the ‘Base- Auto Tone Black & White’ preset as I wanted to see what the black and white would look like. Black and whites can vary so much but I liked how this one converted using the preset often they can be too bright or too dark so you have to tweak until you get the tone you are happy with but I was pleased with this result.
Next an image I took in the studio, I chose an image which was very shallow depth of filed and almost washed out in appearance. I wanted to see how I could improve it and bring it back to life.
The first things I applied from the presets were ‘Auto Tone’ preset which instantly gave it more oomph and depth of colour, I added the ‘Vignette-Black Dreamy’ to add more contrast to the edges of the image then used several brush tools to enhance the face.
I used the following face brushes to add some extra definition: Reduce Wrinkles,Rosy Lips, Define Blonde Hair, Portrait Punch, Darken, Add Contour To Cheeks, Add EyeLiner, Reduce Highlights, Subtle Smooth Skin, Sharpen Face (to brush over her eyes). The image now looks warmer and has more depth without losing it’s soft feathery feel.
I was surprised by the number and variation of the brushes, I like how they are grouped into categories so they are easier to find. It meant I had to spend less time going to Photoshop and back as I now have a better selection of tools within Lightroom which are so easy to use. I tried using the presets and brushes on other images and found they can be used for all sorts of portraits inside and out, I am chuffed with my Sleeklens presets and brushes as they give me fast easy options to use with my Portrait Photography but also my Boudoir and Family Photography.
We managed to catch a sunny evening at long last to take some pregnancy shots… more to follow
Wow that was a busy summer of photography, I am not complaining I have loved every minute of it. My work is so varied it never gets boring one day I am shooting a tiny little newborn only a few days old the next I am taking a portrait of a CEO of a London legal firm. Even the product photography can become absorbing and all consuming, in my work I am a perfectionist so the devil really is in the detail.
Take the Wedding flowers I shoot, its not all about he composition and getting the lighting right, its about every leaf and every petal looking the best it can look.
Life is pretty messy when you look at it close up on your PC screen, leaves and petals have nibbles, holes, growths, fungus, bugs, rips, colour variations all have to spotted,studied and corrected as part of my editing process. I don’t really like gardening but I do love nature and its beautiful patterns and design.
Here’s a few shots from my most recent Wedding Flowers & Accessories Magazine shoot.
Thanks for looking, for more info on my product photography please go to my website which tells you more about my commercial assignments Lindsay Wakelin Photography.